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For Sale

October 27, 2014

As promised, we are making some older art available for purchase at what we believe are very reduced prices.  This first group is a collection of flower drawings, all 8″x10″, with a border.  These are original Prismacolor (colored pencil) drawings and should all be framed under glass, with a mat.

The price of each item here is $60.00, without mat and unframed.  Add $5 per order for shipping & handling.

Purchase will be by PayPal.  If you have purchased from us before, we will consider accepting a check.  If you’re using a credit card, PayPal is the way to go.  Send me an email to (that’s also the email to use for PayPal).  DO NOT pay before contacting me!  That assures that you don’t pay for something that has already been sold.  In the email, simply tell me (by number) which pieces you want to purchase.  We’ll finalize things via return email.

framed flowers

In case you’re wondering what these will looked like framed, the photo above shows two reproductions, matted and framed and hanging on a brick wall above a fireplace mantle.

So, with all that said, here are the colored pencil flower drawings. Hover your mouse over the image to see its number.

Sale Coming Up

October 24, 2014


Flower 1, 8×10, Colored Pencil

Now that I’ve got my computer back, I’ve got work to do.  Over the next weeks, I’ll be posting some older work for sale. There will be a range of media, including colored pencil, graphite pencil, pen & ink and gouache.  I’ll post it here on this blog.  I’m still agonizing over pricing, but I’ll try to set my ego aside and make it very reasonable.  The object is to sell it and free up storage space in the RV.  The first lot will be a collection of ten colored pencil drawings of individual flowers.  These were done 15 to 20 years ago.  I may have several pieces in one post, but each piece will be sold separately.  Stay tuned.

Recap: October First Saturday Arts Market

October 5, 2014


What a change from a month ago.  It will be short-lived, but the weather yesterday was gorgeous.  Temperatures in the 70s and low 80s, with a light breeze under a clear blue sky.  Couldn’t have asked for a nicer day.

by Darlene Besier 1

Photo by Darlene Besier


We continued our focus on the miniature work as well as having larger (8×10) unframed originals available.  The crowd was manageable.  While there were some occasional quiet moments, for the most part it was steady and at times really busy.


Until now, the minis have almost all had Nell’s touch with strong, bold color.  I did a couple in more subdued tones in anticipation that some people might prefer that.  They sold as well, with one lady saying “I’m not a bright color person.”  I’ll probably do more of these.






Nell had produced quite a few of her little signature florals for this market.  Now she has to do more because we sold almost every one of them.  These little gems are very popular everywhere we go.



house4no 50

Unframed mini paintings were popular yesterday.  A number of 3″x 3 ” like the one on the left above found new homes, and a set of four 2″x 2″ sold as well. These are on stretched canvas and look nice sitting on small easels.

It looked like everyone who passed by was in a good mood (again, beautiful weather) and folks seemed to be in a buying mood. We had a couple of repeat customers who came back looking for companion pieces to framed minis they had purchased before, and a very nice English couple who move their art with them to various places added an 8×10 painting of a snowy Ohio field and trees to their collection.  A little girl came by with her mother and said she keeps her jewelry in the little Treasure Keeper box they bought at White Linen Night in August.  There was a couple who were moving to New York and expected to move into a smaller living environment.  Small art was important to them.  There was the Minimalist who displays very little art, but had to have one of our colorful, tiny pieces, because it made her smile.

Our friend Charlie Buck came by, and it was a delight to meet his family.  We felt bad that we were distracted by the crowd that was keeping us busy.  Charlie has supplied us with the tiles that we’re hoping will become great coasters and trivets.  We think we’re getting close to going into production.

As always, we enjoyed spending the day in the company of potter John Delafield and jeweler Steve Sellers, who were on either side of us.  It was fun to watch their inventory go down throughout the day just as ours did.  We also again sing the praises of Mitchell Cohen, founder, owner and coordinator of First Saturday Arts Market.  He tirelessly promotes this monthly market, brings in great live music and food trucks, and keeps things running smoothly for the artists.  Gen’s Antiques, our next door neighbor has partnered with the Market, allowing the artists a chance to cool off in the summer heat and to use their facilities.  An extra bonus for the Market artists is that Doug at Gen’s displays our art for sale with no commission.  Gen’s Antiques is located at 540 W. 19th Street, Houston, TX, and they are open every day until 7:30 pm.

minis at fsam octWe sold seagulls, colorful roosters and fish, and even cute little bluebirds. The flying pelican on the orange background headed to a beach house along with a framed 5×7 beach painting.


And pigs did fly.  This one sold online before the show, but we took four more to the market, all different, and sold three of them.

This stuff won’t go in the art history books, by any means.  But it’s something we do together, a fun, no-stress way of generating a little income.  We hope to add the coasters and trivets soon, and we’re looking for a convenient way to display just a handful of framed paintings without adding a lot of bulk to the show equipment.  That will give us more depth, with a balance between tiny whimsy and larger, more traditional work.  Our approach to art, like our lifestyle, continues to be a work in progress.

We will be relocating from Houston to the Austin, Texas area in the next few months.  We’ll only be three hours away, so we’ll continue to do the First Saturday Arts Market, even after we move.

It’s a busy time.  Tomorrow, we close on the purchase and take delivery of a 36 foot fifth wheel trailer.  We’ll transfer our belongings and then place our motorhome to be sold on consignment.  We also need to replenish our inventory of small art before the weekend.  We’re scheduled to have a booth set up at the Imperial Sugar Farmers Market next Saturday morning.

We’re having a good time.

by Darlene Besier 2 at 500

Photo by Darlene Besier



Back to First Saturday Arts Market

October 1, 2014


This Saturday we will return to the First Saturday Arts Market in the Houston Heights.


We’ve created lots of new pieces that range from the whimsical little houses to seagulls, colorful roosters, and quirky tiny flying machines.  Nell has also done several of her signature floral minis.  We’re looking forward to having a great day.


I also managed to get back to this little watercolor painting that I started several days ago.  When I try to do these in gouache, I seem to tighten up, but with watercolor, I tend to keep it sketchy and loose.  I’m really having a lot of fun doing work like this.

Size Matters

September 14, 2014

Minis at Buddy and Doris 2

We have been on the road for the past three weeks, traveling to visit kids, grandkids and Nell’s family in Ohio, then back to Houston to do the First Saturday Arts Market on September 6.  The next day we headed  to San Angelo in west Texas to visit my brother and sister-in-law, with a stopover in Austin to spend the night with our youngest daughter and her family. We returned home on Thursday, spent Friday creating and framing a group of new minis, then got up at 5:15 am Saturday (yesterday) to do 4 hours at a farmers market in Sugar Land.

At the last three shows we’ve done, we have found that, for us, the combination of small, colorful and inexpensive is the key to generating revenue at small, low-cost venues.  I suspect size might also be a factor for those who sell at higher price points and do higher priced shows.

I’ll address the reasons we do the low cost shows and markets in another blog article.  For now, I’m just using a quiet day off from being on the go to catch up with our activities.

FSAM Sept 1

The booth at the September  First Saturday Arts Market

Making the transition from a “gallery” style booth with Pro Panel walls and framed paintings to a much simpler presentation has been challenging.  There has been, at least on my part, a bit of adjustment  from “look at how elegant we are” to “look at the fun stuff we have”.  Our lifestyle called for a reduction in the amount of equipment we stored and transported.  Age has also been a factor.  Loading, setup, tear-down and unloading and storing had become a bit more physically challenging, especially on hot days.  So we have simplified things.

FSAM Sept 2

Our booth at the First Saturday Arts Market on September 6th consisted of the Light Dome canopy and three tables.  (Unseen in this image is the third table forming an “L” corner at the left side of the photo.)  Where we used to carry three large tubs with framed art, we now have four small tubs for framed minis, unframed canvas minis with little easels, note cards, and unframed 8×10/5×7/4×6 paintings.  We sold primarily framed minis, some unframed canvas minis, a few packages of note cards and a couple of 4×6 unframed originals.  It was an almost unbearably hot day, but for our purposes, it was profitable.  The added bonus is the enjoyment of meeting new people, and the potential for creating new collectors.  We also had friends on each side of us: jeweler Steve Sellers and potter John Delafield, which meant several hours of conversation and camaraderie.

Nell for sugar land

Nell enjoys playing with color.

We arrived back home from our trip to west Texas on Thursday afternoon.  Because we had sold quite a few of the little mini paintings, we spent a good part of the day Friday producing more of them.  I did simple quick light pencil sketches, then, using acrylics, Nell painted over them in her colorful, whimsical style.  I added some pencil enhancements on top of that, along with a coat of acrylic gloss varnish.  After dinner, we put them into frames and packed them up.

imperial sugar farmers market sept

The “revised” setup under the pavilion at the Imperial Sugar Farmers Market.

The alarm woke us at 5:15 am Saturday morning.  We had loaded the car on Friday, so all we had to do was fill the cooler with ice and drinks and load it in.  We had decided to do the Imperial Sugar Farmers Market for two reasons:  it was an easy drive; and as an incentive to draw more artists to the venue, this one had no booth fee.  We had been watching the weather, and the forecast was grim.  Thunderstorms to hit right around setup time, and rain throughout the day.  We arrived around 7am and were greeted by watercolor artist Mike Vollmer.  We had met Mike a few years ago at First Saturday Arts Market.  When we slowed our attendance down, we lost track of Mike.  Turns out he’s been doing the Farmers Market in Sugar Land for a year or two, and had coordinated the drive to get more artists to setup during the weekly markets.

It was misting a bit when we set up, and the wind picked up at about the same time.  Our friend Steve Sellers showed up with his wife and son and they began setting up across from us.  We were all just about completely set up when Steve walked over with the weather map on his phone.  What looked like a pretty nasty storm was headed our way.  Steve recently had back surgery and was still recovering, using a cane to get around.  With the possibility of having to tear down in driving rain, Steve made what I think was the right decision:  they decided to break it down, load it up and go back home.  Nell and I had just about completed our setup when Mike Vollmer stepped over from his spot next to us.  I had noticed he had his canopy up, but hadn’t unpacked and set anything up yet.  He was debating whether to stay and ride it out as well.  We had never walked away from a show before, but that pretty much did it for us.  As we watched Steve Sellers drive away, we decided to pack it up.

Once all the artwork was packed up and we were about to start taking the canopy down, a lady came over from the pavilion and said there were a few open spaces and we were welcome to set up there. Mike and I walked over, checked it out and decided we would stay and set up under cover.  To allow others to do the same, we agreed we could share a 10×10 space.  We finished the teardown at our original spot and moved the tables and art into the pavilion.  Even with the limited space, we managed to meet some very nice people, reconnected with Mike, and sold some art.

We knew that some of our artist friends had been doing area farmers markets for quite a while.  Since we are small venue artists, we decided to try it.  With a booth fee of $25 and less than a half hour drive, we couldn’t go too far wrong.  As it turned out, even if we had paid a booth fee on this one, we would have made it, paid for gas and lunch, and still made a little money.  The way we look at it, we could have stayed home and sat inside on a rainy day and made nothing.

Where’s the adventure in that?

Minis at Buddy and Doris 1

Above is a closeup of some of the new miniature work.






Pencil drawings & sketches

August 28, 2014


I’ve often said here that my first love is pencil.  I believe the ability to draw is one of the most important tools in the artist’s box, and sketching things out of my imagination and memory is a favorite pastime. I’ve spent a lot of time with sketchbook and pencils lately.  The image above was a preliminary sketch for a small painting.


While I love building textures in sketches, sometimes a quick form and a few lines can tell the entire story.  In the sketch above, I blocked in the house on the left quickly, and before I knew it, this beach scene at low tide almost drew itself onto the paper.


As if there aren’t enough projects in the studio, the idea of an illustrated book just won’t go away.  In line with the cottages and barns that have been filling pages in my sketchbooks, farm scenes keep popping up in my mind.


Of course, farm scenes involve chickens, goats, cows and other animals, so I’ve been doing little sketches of those, working from images found online and in my own photo albums.

IMG_2359And, in the process, a rickety old bridge over a creek came to mind with a boy and a fishing pole, ready to spend some quiet time.


Sometimes a pencil sketch is nothing more than a value study, with only hints at detail.  This sketch of a small building in Maine will eventually become a painting. Meanwhile, the original sketch was purchased by a collector.





White Linen Night ~ Recap

August 3, 2014

white linen night 5

We had said we’d never do this event again without help setting up.  But we had some new items to test out and the chance to do it in front of over 30,000 people was too much of a siren call to pass up.  So when some spots opened up at the last minute, we decided to gamble that neither of us would suffer heat stroke and  we went for it.  As it turned out, the stars aligned perfectly.  The weather cooperated.  The rain that had been forecast never showed up, and while hot (it is Houston, after all), the temperature was bearable.  And we did have help.

Mitch Cohen, whom we’ve mentioned here before, is the founder of First Saturday Arts Market (FSAM) and co-founder of White Linen Night in the Heights.  We hooked up with Mitch in May, 2009.  FSAM gave us the opportunity to put the artwork in front of the public and learn the art show and festival ropes.  For this White Linen Night, we received e-mailed instructions, with updates.  When we showed up with the proper identification on the car’s dash, the police officer at the intersection directed us through the barricades.  We were met at the next intersection, handed an “Artist” badge, a bag of goodies, and our booth assignment and were directed down the street.  The booth numbers and corners were marked and the power cables were laid.  The rules were explicit: unload first, move the car, then set up.  Almost everyone did as instructed.


Our oldest son, Chuck, met us at our spot.  A young man hired for the event showed up, and four of us unloaded the car.  Without the ProPanel show panels we used to have, we are able to get the entire 10×10 show booth into the Honda CR-V.  We were fortunate to get an end/corner booth right at the shuttle stop.  We have learned over the years to be flexible, and when we discovered we had a corner instead of an in-line booth, we adjusted quickly.

white linen night 9

We have learned to be cautious when it comes to setting up the booth canopy.  Having dealt with sudden winds that have destroyed our booth, and heavy downpours that have created ominous pools of water in the top, we jumped at the chance a couple of years ago to buy a used Light Dome canopy with a vinyl top and vinyl side curtains.  It takes a bit more to set up than a simple pop-up, but I have put it up alone.  Just don’t want to do it alone in the heat   I don’t think I would ever set up for a show without attaching the weights.  And, because we have experienced storms that have come out of nowhere, especially this time of year, we almost always put up the side curtains.  We’ve dealt with wind, rain, heat and even snow, so we tend to over-prepare.

white linen night 6

We haven’t done a night show with the Light Dome canopy.  Where the pop-ups like EZ-Up have lots of structural cross members to attach lights to, this one doesn’t.  We bought 2 10-foot lengths of 3/4″ PVC pipe.  I cut them into four 5-foot lengths to use as light bars.  Since the inside “ceiling” space is open, I felt that a 10 foot span might sag with the weight of the lights.  I drilled holes in each end of each piece and attached zip-ties through them.  When it came time to set up, the light bars were attached diagonally at each corner to the canopy cross members, using zip-ties.  To keep the light clamps from slipping off the PVC pipe, they were “locked” on using more zip-ties.  As street festival vendors, bungee cords and zip-ties are our friends.  A heavy-duty wire cutter is handy for cutting all those zip-ties at tear-down.  Our son, Chuck, did all of the light installation, including running all the wiring for the lights and fan.

white linen night 8When we sold the ProPanels, we could no longer display a lot of framed artwork.  We kept a few 8x10s and 5x7s so we could still display some framed pieces at that size.  We bought two white wire shelves at Home Depot.  To allow them to be transported in the car, I used a hacksaw to cut them down to 5 foot lengths.  In the last two shows, we zip-tied them horizontally from the canopy cross members.  Since then, our friend Steve Sellers, a jeweler who also sells at FSAM, advised us to move the tables closer to the front edge of the booth.  There’s a psychology involved that has to do with people being more likely to stop and look if they don’t have to go inside.  That meant we needed to get the framed artwork closer to the traffic.  So this time we hung the wire shelves vertically, tying them to the cross member at the top and to the corner post.  This turned out to be very stable, and allowed people to look at the paintings without blocking the tables.







white linen night 7

Since what we do will most often compete in arts and crafts venues, we have opted for a sort of “colorful clutter” approach, with unframed original paintings in tubs, surrounded by colorful, whimsical art and ornate little frames.

white linen night 3

We’ve never had a banner for our booth.  When we had the ProPanels, the booth was basically a three-sided room, and a banner would have taken up valuable wall space.  With the new booth approach, a banner doesn’t hide any of our work, but it does block out part of the chaotic view behind us.  In hot weather, it’s really necessary to keep the side and back curtain walls open, so anything to help block out the background helps.  We felt it was time to identify who – and what – we are.  And besides, it’s kind of fun to see our name up in front of lights.  Austin/Houston are the two places we will come to be identified with, so we decided to get ahead of the curve.

white linen night 4b

Everything came together with this show.  The event drew over 30,000 people during a four hour period.  Thousands of people passed by and circulated, and a lot of them stopped to see what we had to offer.  It was fun to see them draw even with us, look at the table and break into a grin, moving closer to see what all this colorful little artwork was about.  We sat briefly in those very rare times when the crowd would thin momentarily, but we spent most of the time on our feet, talking with visitors, answering questions, and selling.  There were times when Nell was selling at one side and I was selling at the other, meeting in the middle to make change and write up receipts.  While we did sell a larger traditional landscape or two, the bulk of the sales were the small, colorful, whimsical pieces, some of mine, some of Nell’s and some that we did together.  While the prices on those were very low, the volume sold accounted for more than we’ve made many times just selling traditional landscape paintings.

Our show revenue included a pre-show sale of a painting shown online a day before to promote the event.  And at the show, a purchaser of one of my landscape paintings discussed the possibility of doing a couple of commission paintings.

The event officially ended at 10pm, but as long as there was a lingering or passing crowd, we stayed open.  Mitch finally came through around 10:20 and said it was time to shut down.  We broke the booth down, loaded it into the car, and drove home, arriving a little after midnight, very tired, but very satisfied.

It was a good show.





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